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Issue 160 - When Success Turns Your Head, You Face Failure

Woodens Wisdom
Wooden's Wisdom - Volume 4 Issue 160
Craig Impelman Speaking |  Championship Coaches |  Champion's Leadership Library Login

 

WHEN SUCCESS TURNS YOUR HEAD, YOU FACE FAILURE

 
This favorite quote of Coach Wooden’s was not about handling adversity, but rather about managing success. When Coach was asked: You won ten national championships, seven in a row. Once you started winning those championships, how did you maintain your commitment to excellence without getting complacent? He replied:
 
Today is the only day that matters; it's the only day you can do anything about. Make each day your masterpiece.
 
The past will never change; anything that happened will never change. The future is yet to be; you’ve just got to concentrate on today and if you do that the future will take care of itself.
 
That doesn't mean you're going to win because maybe you're not good enough to win, but you'll come closer to realizing your own potential.
 
I love poetry and many of my players know that and many write me poems. One, Swen Nater, has written me over 100 poems. He has written a poem on almost every maxim I’ve used and all the Blocks of my Pyramid and one that he wrote was titled Today:
 
Coach, you're a hunter and a seeker,
Not for silver or for gold.
Not for treasure or for pleasure,
Or for anything that's sold.

You're a connoisseur of living,
As you move along life's way.
With no worries of tomorrow,
For you have found today.
 
You’ll never know a thing you didn’t learn from someone in the past, yes, you learn from the past but it’s not going to affect what you do today – tomorrow will be affected by what you do today. Do what you can today. Don’t put it off, do it today.
 
I tried to use that philosophy with my players, to try to just become a little better each day. That’s what I taught – today is the only day you can do anything about – you can’t just say it, you’ve got to do it, you’ve got to repeat it – repetition is one of the laws of learning and must be used over and over.
 
One way Coach created this repetition of focusing on today with his players was by not allowing them to celebrate excessively when they won or become dejected when they lost. Here is how he described that process:
 
I never wanted excessive jubilation because we outscored somebody in a game, nor did I want excessive dejection if we were outscored. You’re not going to feel the same, that is true, but I want nothing excessive.
 
I want that peace within yourself, knowing that you tried your best; then we will not have anything excessive either way.
 
You can't get that 100% of course, that’s perfection, but that's what you're trying for and that's what I'm looking for.
 
I wanted all of my players to try to be perfect. I know they can't be perfect. But I wanted them to try; we can all try.
 
 

Yours in Coaching,
 
 
Craig Impelman
 
 
Twitter: @woodenswisdom


 

 

 

Watch Video

Application Exercise

COACH'S
Favorite Poetry
AND PROSE

 

The Barefoot Boy
(Part Two)

 

Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw
Me, their master, waited for.
I was rich in flowers and trees,
Humming birds and honeybees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still, as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread,-
Pewter spoon and bowl of wood,
On the doorstone, gray and rude!
O're me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold;
Looped in many a wind-swung fold;
While for music came the play
Of the pied frog's orchestra;
And to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toi,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou shouldst know thy joy
Ere it passes, barefoot boy!



John Greenleaf Whittier 

 

 

 

 

 

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